Top Ten Incredible Philosophy Books No-one Recommends (2): From 10 to 6

Following yesterday’s background to this Top Ten, here are the first five books in the countdown of obscurity.


10. Maurice Blondel’s Action (1893)

211,000-426,000 hits
Nominated by Greg Sadler

Blondel L'ActionTo say that I was surprised by the search engine results for this one was an understatement, and I began to wonder if the results were skewed by the simplicity of the book’s title. While that might be the case, there is still tremendous discussion of this text out on the internet, although it is no way considered a standard text in phenomenology, existentialism, or deconstruction, all of which could be gainfully compared to Blondel’s work. Action was Blondel’s fiercely-contested doctoral thesis, and provides a philosophy of action that breaks substantially with the rationalist currents of Kant and other Enlightenment philosophers. Blondel claims “action is that synthesis of willing, of knowing, and of being, the link of the human composite that one cannot separate without destroying everything that has been deunited.” The obscurity of the book in philosophy circles is inverted in its importance in French theology, and Sadler’s Internet Encyclopaedia of Philosophy page for Blondel (which was the top hit) stresses its influence in forming the “New Theology” that influenced the Second Vatican Council.


9. Ludwig Wittgenstein Tractatus Logico-Philosophicus (1921)

180,000-290,000 hits
Nominated by Benjamin E. Hardisty

Wittgenstein TractatusThere’s an irony to this appearing in the list, since I had originally given it as an example of a book that overshadows others by its author. But there is a very real sense in which Hardisty is correct to nominate this: despite its huge importance for twentieth century philosophy, almost no-one now recommends reading the Tractatus. In part, this is because the significance for this text has radically changed over the last century. Whereas Wittgenstein’s mentor at Cambridge, Bertrand Russell, considered this to be an essential advance in understanding philosophy, it has gradually come to be recognised that Wittgenstein’s own view of this book was radically different, a point I briefly explore in Wikipedia Knows Nothing. Another significant issue with the Tractatus is the sheer difficulty of the text, which makes even Heidegger seem straightforward.


8. Robert Pirsig Zen and the Art of Motorcycle Maintenance (1974)

172,000-192,000 hits
Nominated by Adrian Voce

Pirsig Zen and the Art of Motorcyle MaintenanceIt’s certainly the case that few if any philosophers recommend this book, although Pirsig’s narrative has been hugely popular ever since its first publication. Espousing a ‘metaphysics of quality’, Pirsig is not especially involved with Zen (or Ch’an) Buddhism, but rather in a distinction between “romantic understanding” and “classical understanding”, which is sometimes compared to Nietzsche’s split between Apollonian and Dionysian. This is the highest selling title in this Top Ten (indeed, the highest selling philosophy book of all time), having shipped more than 5 million copies, and also holds the world record for greatest number of publisher-rejections, at 121. While it scarcely qualifies as a candidate for a ‘library of forgotten knowledge’, it is resolutely exiled from academic philosophy, where it is never recommended. Neither the Stanford Encyclopaedia of Philosophy nor the Internet Encyclopaedia of Philosophy mention it once.


7. Herbert Marcuse One-Dimensional Man (1964)

60,400-79,500 hits
Nominated by Stefano Gualeni

Marcuse One-Dimensional ManNow the search engine hits are beginning to recede, and we proceed more convincingly into our deep dive into publishing obscurity. Marcuse’s book, subtitled Studies in the Ideology of Advanced Industrial Society, is another text (like Blondel’s Action) that is well-read, but only in a particular context, in this case the ‘New Left’. But this is a book not just for Marxists, and its critique of “one-dimensional thought” offers palpable rejections of twentieth century linguistic philosophy, philosophy of science, and social science. In his retrospective upon this book, Ronald Aronson, a student of Marcuse, declares that it “teaches us that we need to slow down in making our assessments”, and suggests Marcuse’s thought still possesses revolutionary potential.


6. Georges Bataille Theory of Religion (1973)

30,900-43,600 hits
Nominated by Will H.

Bataille Theory of ReligionWe have still not reached the depths of the truly obscure, but we are far from the well-trodden paths of philosophy now. Bataille’s provocative and challenging book, a slender volume of little more than a hundred pages, presents religion as a search for a lost intimacy, and recognises that life can be affirmed through destruction. Despite its short length, it is often viewed as a difficult read, which perhaps accounts for the lack of any clear critical consensus upon it. One of it’s core idea is that an animal exists in the world “like water in water”, whereas humans develop an awareness of mind that severs them from this state of being. Religion, in Bataille’s view, is an attempt to recapture this pure immanence. Clearly influenced by both Nietzsche and Durkheim, Bataille himself seems to have viewed this text as a radical reworking of Hegel’s Phenomenology of Spirit. He never got further than drafting it during his lifetime, and it was published posthumously.


Next Week, the Final Part: The Top Five

Top Ten Incredible Philosophy Books No-one Recommends (1): Prelude

Dusty TomesWhich amazing books of philosophy are the ones that hardly anyone suggests people read? That idle thought set me down a path that culminates in the Top Ten list that begins tomorrow, and concludes next week.

The Top Ten is a cheap trick, a means of adding the vicarious thrill of competition to what would otherwise be just a list. But as it happens, the list itself is also an artifice, a simple game that lures us in by evoking our curiosity. Whatever the number of items in the list, and whether or not it is ordered, we become tempted by the list whenever we think we might know something that might appear. This confession, that at root what I am doing here is something of a subterfuge, belies my motive for undertaking this exercise. For I am not interested in clickbait so much as I am motivated to find ways to render discussion of philosophy into forms with a modicum of popular appeal. Hence the Top Ten.

As for its subject matter, it emerges from the wonderful yet tragic predicament of the reader of books in our time: we have more books than anyone can possibly read, a situation I lamented in Crisis in the Infinite Library. This thought was fresh in my mind as I finished reading Alasdair MacIntyre’s Three Rival Versions of Moral Enquiry, and it struck me that this was a text no-one I knew of had ever recommended reading, despite it’s incredible reflections upon our contemporary academic situation. That’s because the book by MacIntyre everyone recommends is After Virtue (which, for context, would have been #9 in the Top Ten, if it had been nominated). I began to wonder: how many other incredible philosophy books are there that no-one is recommending?

I asked for nominations primarily on Twitter and Google+, and referred people to the blog post For a Library of Forgotten Knowledge for the terms and conditions, taking the title of the post from a remark that Babette Babich made in response to my enquiries. I never got a nomination from her, alas, but she made this remark in connection to the practical limitations I was imposing:

…a list of forgotten books cannot be limited. There are bookshelves full of overlooked studies. Each a world, each worth the attention required to read it. But there are topics we like, and topics we don't...

I could not agree more – but the task I had set myself was to produce a Top Ten, primarily because I have been somewhat neglecting my task of ‘popularising philosophy’ recently, and so wanted to do something that was at least ostensibly ‘popular’.

In a move that rather blindsided me, Terrance Blake nominated Babich’s book The Hallelujah Effect... This one has been on my reading list for a while, but became even more interesting in the light of Blake’s capsule review that the book was an “excellent treatise on neuro-power, psycho-power, and noo-power.” However, incredible or not, it seemed cruel to me to include so recent a publication in a countdown of philosophical obscurity. If it had qualified for inclusion, it would have been #2 in the list i.e. extremely obscure, but as I codified the rules I took the precaution of excluding books that weren’t at least twenty years old. A recent publication, I hope and trust, is still being mulled. What I was hoping to focus upon was texts that had already become somewhat lost... 

Steadily, slowly, I acquired a set of 12 nominations (including my own nomination of MacIntyre), and to judge their obscurity – since there was no even remotely plausible way to parameterise their incredibleness! – I generated the range of search engine hits based on an exact-title match plus an author name field. I have taken the midpoint of this range of values as the ‘obscurity score’ of the book, so that #1 is the most obscure, and #10 is the least. The list has a number of peculiar qualities, but I feel these add to its charm. In particular, it contains things that some people will feel are not in any way obscure. This, if nothing else, effectively calibrates the exercise.

Two nominations didn’t make the list, of course, since it was capped to ten. These were #11, Richard Bach’s Illusions (nominated by Brenda Holloway) and #12, Mary Shelly’s Frankenstein (nominated by Lee Douglas). These pulled in well over 346,000 and 444,000 hits respectively. Some of the books you see in this list might not seem to qualify as philosophy, but I was open in my criteria in this regard: as long as the nominator felt it was a work of philosophy, I allowed it. I have no interest in erecting a boundary fence around whatever ‘legitimate philosophy’ might be… what I wanted to do was explore obscurity in philosophical writing, and I have thoroughly enjoyed my adventures in doing so.

The first half of Top Ten Incredible Philosophy Books No-one Recommends, charting the nominations from least obscure to the most, begins tomorrow, with the concluding part next week. Hope you enjoy the ride!

Tomorrow: From 10 to 6

With especial thanks to Babette Babich, Terence Blake, Lee Douglas, Stefano Gualeni, Will H., Benjamin E. Hardisty, Brenda Holloway, J. Moesgaard, Michael Pereira, Greg Sadler, Bart Stewart, Judith Stout, and Adrian Voce.

The Purpose of Metrics in a Game

Brian Green (AKA Psychochild) has a piece responding to last week’s firestarter and arguing that there is a purpose for metrics in a game. Here’s an extract:

I dislike the absolutist nature of the argument, and prefer the more nuanced version. As a creative person, I still like things like food, a roof, and perhaps air conditioning when the temperature and humidity get high outside. But, I think it is important to realize that there is a decision to be made. One can choose to pure creative energy to create experiences on one extreme, pandering to tastes and maximizing for profit on the other, and a lot of room between the two extremes. And, as much as we might lionize the indie iconoclasts, the reality is that sometimes it takes a lot of work and understanding what people actually want to survive as an indie.

The argument Brian refers to here is art vs. commerce. Personally, I don’t accept a significant divide between art and commerce here… the vast majority of art is commercial in the sense that this term is used today: music recordings and performances are sold, paintings are auctioned, theatre and cinemas charge an entry fee. Knowing that games are artworks doesn’t mean the people who make them don’t deserve to be fed. I absolutely agree with Brian that game developers are no different in this regard: part of my argument in The Craft of Game Design Cannot Be Measured By Any Metric is precisely that indies, in rejecting commercial design considerations, are gambling on their livelihood.

So I accept Brian’s point that metrics can be used responsibly, at least in principle. My argument is only that there is a tension between the craft of game design, and engineering systems for commercial exploitation. Developers who can use metrics to assist their game design practices ought to make clear how this can be achieved without it becoming exploitative. I welcome the discussion here – it is this discourse that I feel is substantially missing.

You can read the entirety of The purpose of metrics in a game over on Psychochild’s Blog – check it out!

Cross-posted from

The Craft of Game Design Cannot Be Measured By Any Metric

Over on today, a tirade about analytic metrics, game design as a craft, and 21st Century Game Design being about to go out of print. Here’s a quote:

We made one crucial error in 21st Century Game Design. My assumption had been that modelling player behaviour entailed understanding how to satisfy play needs, which is to say, having a positive, inclusive, moral and practical relationship with players. But the dominant forms of player modelling right now have absolutely no need to understand how to satisfy players in any form, because the principle form of model we are using are analytic metrics – and these metrics are blind to any aspect of the mental states of the player whatsoever. If our image of game design in the 21st century was that the industry was going to be making money by creating games that deeply satisfied their players, what we are actually facing now is an industry that makes the majority of its money by simply analysing where the leaks are in their player community, and acting as digital predators to suck spare change out of their digital wallets.

You can read the entirety of The Craft of Game Design Cannot Be Measured By Any Metric over on

Pokémon GO Round-up

Before you ask, I’m not playing Pokémon GO, nor do I plan too. I’m a father, a writer, and a business owner – I don’t have time to play an MMO. But it’s interesting to me, since this is another example of a game where the fictional content is far and away the critical factor in its success. My old MUD crowd played Niantic’s previous game, Ingress, and had a lot of fun with it – but anyone who has ever enjoyed any aspect of Pokémon is playing GO, and that’s not just the power of branding – it’s the power of fictional worlds.

I've shared the best articles so far about Pokémon GO over on ihobo.