100Cyborgs: 1-10

Beyond Choice in Game Narrative

Over on ihobo today, an open letter to Caroline Marchal and John Yorke responding to their talk at Develop: Brighton. Here’s the most inflammatory paragraph to whet your appetite:

There are, I think, two main problems with game writing today. The first is that too many of the people working on stories in games have a great appreciation for the toolkit of game design but too little an appreciation for the vast toolkit for narrative… To have experimented with short stories, or plays, or novels, is not a wasted effort for a game writer, but an opportunity to learn vital skills in story construction. The second problem is that there are rather too many ‘carpetbaggers’ (if you’ll forgive the allusion), which is to say, screenwriters who think that the problem with game stories is something that can only be solved by writers with experience in film and TV. Of the two, the latter might be more dangerous to games as an artistic medium, since someone who is game-literate can learn conventional narrative relatively easily (by attending your talk, for instance) but a screenwriter who believes that games must adapt to the conventions of screenplays is undertaking a certain kind of violence against the radical potential of game narrative.

You can read the entirety of Beyond Choice in Game Narrative over at ihobo.com.

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